3D

3D

Friday 1 August 2014

Believable Boyhood

Is there any praise that hasn't yet been given to this film? I went into the cinema with great expectations and for more than two and a half hours I couldn't give a damn about any of them, lost in the story as I was. This is a film as close to real life as it gets without becoming a documentary or without losing its luscious cinematic qualities. As you probably know it was filmed over twelve years with the same core of actors. We can see influences from some of Richard Linklater earliest films, such as Dazed and Confused and Slacker, the same laid back view on youth culture, a bit like Kids without the terrible bleakness. Later on the film takes on some qualities of his philosophising films like Waking Life, without ever losing the natural flow of the story or becoming too forced like some of his later films did. 

Everything just happens to the characters as we take the ride with them, as one of the characters describes it: "You don't seize the day, it seizes you." What I found particularly interesting was how involved the audience got with these characters. With all of them, but particularly with the main focus of the story: Mason. As we see him physically grow up we become his parents when we see him behaving stupidly playing with saw blades in a construction yard and we just want to shout at him to make him stop or he'll hurt himself. We become his best friend as he confides his doubts and insecurities about what he wants to do with his life. I just wanted to hug him and tell him that everybody experiences this and that nobody knows anything for sure. And then there are the small moments that shine through the main story, like a waiter telling the mother how she helped him with some advice she had given him years ago. Absolutely beautiful and heartbreaking.

The film made me remember what a fantastic actress Patricia Arquette is and how we haven't seen nearly enough of her glorious performances since True Romance. Her easygoing attitude along with Ethan Hawke's awkwardness and sketchy facial hair matches the flow of the story so wonderfully, it feels like they are Mason's real parents, and just try to make do with all their flaws and failings.

It would be impossible for anyone not to identify with at least one of the characters in this film. From the hardworking pushover mom, the well meaning but immature musician dad, the overachieving quirky sister to Mason himself, the confused slacker with a longing for constancy in his family life, desperately trying to finding a purpose. I can only recommend you see this film for yourself and take out of it what you need. By finding the moments that feel familiar and truthful to you and give a new resonance to your own struggle just to try to do the best you can with the moments that seize your life.